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"I believe she'll like it," declared Elinor, confidently. "She does so love variety—and she has entered into everything already with such a vim." "Right-o, Miss Judith," laughed Patricia, flinging an arm about the young sage. "My word, but you're a crafty young one! I'd have raved about it till even Michael Angelo or Raphael couldn't have satisfied the expectations of the beholder. How do you come by so much wisdom, Miss Minerva?" "Nor," said he, fixing his eyes on the woman, "did you confess that you opened the window of Mr. Alymer's room, and aided Dr. Etwald to carry away the dead body?".
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Conrad
Counsel for the prisoner: "All this has yet to be proved." "I can't help it," I gulped in my sleeve. "I did use to like Alfred Bennett. My heart almost broke when he went away. I used to be beautiful and slim, and now I feel as if my own fat ghost has come to haunt me all my life. I am so ashamed! If a woman can't cry over her own dead beauty, what can she cry over?" By this time I was really crying. Lastly Etwald. It is difficult to describe the indescribable. He was austere in face, like Dante, with hollow cheeks, and a pallid hue which told of midnight studies. If he had passions, they could not be discerned in his features. Eye and mouth and general expression were like a mask. What actually lay behind that mask no one ever knew, for it was never off. His slightly hollow chest, his lean and nervous hands, and a shock of rather long, curling hair, tossed from a high forehead, gave Etwald the air of a student. But there was something sinister and menacing in his regard. He looked dangerous and more than a trifle uncanny. Physically, mentally, morally he was an enigma to the bovine inhabitants of Deanminster and Hurstleigh. "I don't understand you.".
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